THE
MODELS
The
model numbers can be thought of as rounded engineering indices
representing upper and lower half-cup geometries and cup depth,
on a scale of 1 to 5. The "Lead 342", for example,
has a fairly conical upper half-cup compound curvature, a
substantially reduced lower half-cup compound curvature, and
a medium cup depth. Models are as follows:
AVAILABLE NOW!!!!
The POET
with pouch - $78.00 |
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Our new Flugelhorn mouthpiece , the POET,
incorporates new design, manufacturing and assembly
features that enable the greater cup volume, required
for the Flugelhorn , while retaining the lower lip
restrictor, the required signature feature of an
Asymmetric. The Asymmetric feature raises
your high range limit, and, in most cases, doubles your
endurance and eases the whole playing experience. This
is engineering. But what players are more interested in
is flexibility, comfort, ease of high notes, and above
all – sound.When it comes to playing high or loud, to
create excitement, there is nothing like the Trumpet.
But there is a time for music to be softer and more
communicative. These times and places, when the ultimate
expression of intimacy is desired, are better served by
the Flugelhorn with its haunting, warm and seductive
sound. Also, for the last 50 years or so Trumpet players
have found that the Flugelhorn, with its ease of
playing and fingering (same as the Trumpet), along with
its sound and adaptability, has given players an instant
doubling horn with little or no work to master. But the
Flugelhorn does have a few limitations.
Most players find the higher end of the range (high A
to high double G and above), ellusive. And, endurance
also, sometimes suffers, especially with the larger
Flugelhorns and mouthpieces. The POET
solves these problems and provides you with the ultimate
in Flugelhorn capability. And, you’ll fall in love with
the sound. The combination of your Flugel and
POET gives you a sound that can’t be matched -
warm and butterey smooth, even if your Trumpet sound is
bright and edgey. Whether you
are playing a Hymn at Christmas time on a snowy street
corner, a solo in a Brass or Stage band, a Ballad in a
jazz cellar at 3 AM, or giving a virtuoso performance,
on stage, accompanied by a full orchestra, -- you’ll do
it better with a POET. |
VIRTUOSO
with pouch - $78.00 |
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From 1848, when Arban first established the Cornet’s
place as a classic instrument, to the present, the
Cornet has won favor among great brass virtuosos the
world over as the ideal choice for brass expression.
Other players, from highschool to more advanced
professionals, also seem to be drawn to the warmer sound
of the Cornet. Today, we also enjoy the landmark
advantages of the Asymmetric mouthpiece. A
natural step in the evolution of Cornet equipment would
seem to be the combination of Cornet and Asymmetric
mouthpiece. We at Asymmetric, have taken that
step.The Asymmetric VIRTUOSO Cornet
mouthpiece gives the player more and easier high
register, a bigger sound and doubled endurance. And, the
deep Flugel-like cup and enlarged throat and backbore
preserve the ‘British Brass Band’ sound, favored by
many, if not all, Cornetists. Whether you’re an embryo
virtuoso, or just like the sound and added capability in
your Cornet, the VIRTUOSO will do the job, and do
it better than any other cornet mouthpiece available
now. Play one, and see what all
the talk is about. |
The LEAD 342M
with pouch - $78.00
If you're one of those power players who
likes to put a little more air through his mouthpiece,
we're offering the Lead-342M
(for modified). The Lead-342M is identical to the
Lead-342 except it has a shorter (0.100 in) cylindrical
section below the throat and a smidgen larger backbore.
This mouthpiece will go up to double C without breaking
up and can deliver (depending on the player) just a hair
more power over the complete acoustic range. But, it
takes a little more air and is a little less resistant. Testers were split
on this, so we decided to offer both.
If you're into super
paint-peeling power, and need a tiny bit less
resistance, the M has it.
The
LEAD 342
with
pouch -
$78.00
The ultimate embodiment of the concept, having
laser-like cutting power and a bright, full, brutal sound.
Designed for demanding high register performance, with semi-flat
upper rim, medium cup depth, 25 throat (.150") and dual,
modified straight backbore for a good low register and a bigger
altissimo sound. Effective
in any playing situation, but most appropriately applied as
a lead trumpet mouthpiece.
The 3C+544
with pouch - $78.00
Similar in design to the Opera 545 but effectivly
slightly shallower due to more cup/backbore separation (longer
cylinder) with much less weighting, a different backbore configuration
and a slightly different rim geometry. These design features
tend to produce a little brighter sound than the Opera 545,
but without the edge and cutting power of the Lead 342. Slotting
is also a little less for more overall, non-specialized performance
requirements. They also incorporate the intonation and ease
of playing frequently associated with a 3C. But this is a
3C "plus". The plus means easier high-register,
more endurance and several additional semitones of high range.
Like the other Asymmetrics, the throat is open (.150")
for a bigger sound, but not to the point of adversely affecting
endurance or intonation. And, the cup and backbore have been
balanced. Definitely the mouthpiece of choice for players
requiring a mouthpiece for more all around application, and
light years ahead of the competition. Band
directors, start your students on Asymmetric "3C+544"s
to avoid the unnecessary handicaps of poor range and endurance.
And, switch your more advanced players to Asymmetric "Lead
342"s and have a powerhouse trumpet section in a few
months!!
The Opera 545
with pouch -
$78.00
For Symphony players, Jazz players and others
desiring a less aggressive, more legitimate sound with good
projection, but somewhat less edge than either the 3C+544
or the Lead 342. The upper rim has a well defined inner edge
for reliable upper lip suspension, good flexibility and clean
attack. The rim surface is semi-curved with a slightly higher
inboard surface, and slightly softened outside edge for comfort
and endurance. The bottom rim inner edge has also been softened
to improve low-register performance and flexibility. The #2
Schmitt style backbore, effectivly deeper cup (minimal cup/backbore
separation) and 25 throat (.150") along with massive
cup and shank weighting tend to provide excellent slotting
and a somewhat darker, more Teutonic sound, ideal for symphonic,
operatic or jazz performances. Enhanced
range and endurance are here too, just as with the Lead 342
and 3C+544. This combination of features in a legitimate,
orchestral mouthpiece is unprecedented!!
For new visual approximations click on :
eDrawings!!
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